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Cci grants

Cci grants

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Is there anything more iconic than Prince singing “Purple Rain” in the rain, at Super Bowl XLI?!! Not for the Soundfly staff! It was a rainy day, anyway, but when someone from the Super Bowl entertainment staff asked Prince if he was okay playing in the rain, his response was, “Can you make it rain harder?”

In this piece, harmony and melody are very limited. Harmony is non-existent (if considered as the use of at least three different pitches at the same time) and melody is reduced to one single note, with the only possible combinations resulting in unisons and octaves.

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And the record did great in the marketplace. The fact that this was a full live performance documented for the world to see meant that Brown could advertise his intense, immense live show to audiences around the country who hadn’t yet seen him perform — further securing revenues from future tours and album sales for decades to come.

If you plan far enough ahead, however, you can possibly avoid this issue. Sit down with your accountant before you file and tell them you’re planning on buying a house. You may decide together to take fewer deductions than you’re actually due in order to make your returns more palatable to a bank. Or they may have other ideas to help you out. Either way, it’s worth your time to have a conversation about your status.

It’s still Home Recording Week here on Soundfly and beyond, so for those of you who have made a commitment to yourselves to produce better music in the comfort of your own home, we’ve got a ton of helpful resources to help you improve your knowledge, skills, and strategies.

You can try looking in the mirror and telling yourself: “You are amazing, you are the best singer in the world, Sia has nothing on you!”, or, you can wake up, smell the coffee, perhaps drink it too, and take a more substantial approach to building your confidence.

Find out once and for all how streaming and sales royalties work — and how to get the money you deserve — in Soundfly’s free course with Ari Herstand, How to Get All the Royalties You Never Knew Existed. 

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Learning to become an accomplished and knowledgeable audio engineer is an enormous undertaking. While we’re lucky to live in the age of the internet, where so much information is available for free, that information is not always presented in a form that allows us to make the best use of it. Spend time on YouTube, for example, and you’ll find a wealth of video content aimed at those who want to master the art of mixing, yet a lot of it is inaccurate, misleading, out of context and inapplicable, or simply incompatible with your own experience and what you’re attempting to do in the studio.

From her native Tunisia via France, Abdelwahed made her name playing sets in places like The Boiler Room and Berghain. Her work fuses gritty urban dance rhythms with unconventional textures; it’s ambient, industrial, and traditional Arab music all wrapped up within an experimental techno framework. In an interview she poses a question that summarizes her artistic vision: “If the people who invented house and techno were Arab, if they had grown up with our rhythms and our instruments, what would it sound like? Would it be the drum and bass, house and techno we know today? I don’t think so.” Abdelwahed’s latest album is Khonna, released in November 2018.

Using whatever format you want (spreadsheet, notepad, stickies) write down the things you want to get done, say, this month. That way, when you sit down to write songs, record music, email a music industry pro, or whatever, you know exactly what you need to do next. Plus, as you cross things off the list, it’s a little encouragement that you’re making progress.

Tim Maryon is an Soundfly Mentor, an award-winning composer, and film scorer. He has an MA in film scoring from the Royal College of Music, and has written music for documentaries for the BBC, scored animations for BFI, and worked with major brands. His original works have been performed all over Europe. You can read more about him and hear his music here. Want to work with Tim on your project? Fill out this form to tell us about your musical goals and be sure to mention his name in your response!

Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.