Adopting digital tools and technologies in the classroom can pose a risk for a student’s education that is tied in with social and emotional interaction and adaptation, peer-to-peer feedback (both verbal and non-verbal), and close-touch collaboration. But it can also encourage habit forming, haptics sensitivity, and muscle memory building, etc. As a somewhat heavy introduction to the lengthy conversation to follow, this topic references a lot of what’s being talked about in educational circles right now, and much of it gets fleshed out later. For now, let’s just consider that while digital tools are definitely assets in the classroom for a number of reasons, they may fall short or, at worse, cause harm to a student’s education when they approach minimizing or eliminating the teacher and their role.
There are plenty of ways to have more fun on tour, but these were the first 10 I could think of that don’t cost a ton. Money does not buy fun, but it sure can help — so I tried to list the cheapest tactics. Thanks for reading!
(If you find yourself lost in all the music theory below, check out our free series of courses, Theory for Producers, and catch up on the fundamentals, even if you can’t read sheet music!)
Namm foundation acronym
With over 70 million monthly listeners worldwide now, podcasting is more popular than it’s ever been. According to a recent study, there are currently over 700,000 active podcasts. While that’s great news for podcast fans, that many choices makes it difficult for new podcasts to find their audience.
You’re probably well aware of SoundCloud by now, but its widget feature is worth mentioning. Because SoundCloud is completely free and typically reliable, it’s the perfect place to host music over your site. Yes, you’ll lose some royalty money by not linking up to your Spotify or Apple Music account, but going with SoundCloud is the best option because it doesn’t force those visiting your site to sign up with yet another service. Plus, it’s essentially social media for track releases.
With overwhelmingly positive results, we’re happy to share a few testimonials of Soundfly’s Orchestration For Strings course directly from our students.
Are you suffering from Gear Acquisition Syndrome like millions of other musicians out there? Here’s ten ways to prevent yourself from making a bad purchase.
How does this work? Well, no, we don’t hire an army of magical musical nerds to jump in and create 75 lessons specifically on the topic of your choice. Instead, we pair you up with one of our trained, expert mentors for four weeks of focused coaching around the subject or project you want to conquer. Here’s what that coaching involves, specifically:
Introducing Soundfly’s newly revamped Headliners Club program: a fully customized one-month learning and coaching experience built around your musical goals.
I’m serious. No matter how cold it is, if you find a creek or a lake or a river (and it’s clean, of course,) jump into it. It’s good for your circulation and your immune system, and it feels like a reset.
Finally, we all occasionally get stuck somewhere along the way. It’s easy to want to throw your computer out the window in frustration when your production software isn’t working right. Having someone you can reach out to in order to answer your immediate questions and help you overcome these hurdles is a critical part of making real progress.
That’s really what touring with your band is all about; the opportunity to get out there and do what you love in front of the people that love seeing it. It helps to know that when you arrive in a new city, there will already be a live music crowd ready to greet you with open arms. And some of the most vibrant, bustling music scenes — with great venues, great young bands, and audiences constantly looking for a good time out — exist in places with a few universities nearby.
I would describe Capsule as sort of a Japanease version of France’s Justice. Producer Yasutaka Nakata provides the hard-hitting techno beats and Toshiko Koshijima sings those catchy, auto-tuned vocals. Their music is often licensed by Japanese TV shows so there is a chance that you’ve heard some of their songs as themes floating around. Plus, they released their fifteenth album (!) Wave Runner in 2015, so they’ve been on the scene for a minute. While their influences are varied, they use bossa beats, British acid house bass lines, and a variety of other notable source styles, but it would be difficult to describe their music as anything but simply their own.