In fact, any one item can be a costume: a funky, customized necklace, a big, bold hat, or even some sort of prop that helps you get into character on stage and channel a new identity. The one important thing to keep in mind is how everyone on stage interacts together visually; it’s essential to be unified somehow. If you have one person showing up in a suit, another dressed like a punk, and another wearing a neon bodysuit all you’ll be saying is that you don’t know what to say.
Focus: Finish this track, and begin to develop a live performance setup around it.
Late last year, Congress came close to rescinding the Songwriter’s Capital Gains Equity Act as part of its tax code overhaul. But fortunately, last-minute lobbying by representatives from Nashville and other songwriting communities across the United States saved it.
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One thing you might have noticed is that we haven’t seen a ton of instrumental music so far. As previously stated, it’s not always as easy to identify a verse and chorus in instrumental music, so thinking in terms of Section A and B can be more useful. But given that, there’s really no limit on what sort of structures you might see:
The tone on these loop chords is so low and pillowy, I don’t really know what to call them. I think I’m hearing them as D♭ and Cm. I’m sure the key we’re in is A♭ major because of the melody, but that means it’s a IV and a iii chord — there’s no tonic chord to establish the key, in keeping with the modern anti-establishment trends we’ve been tracking.
This autumn, we’re launching a brand new mentored online course teaching you how to get your home-recorded vocals sounding like the pros, check it out!
Born in Cambridge, England, Judith Weir’s musical path has been a very British one. Having studied with Sir John Taverner at an early age and later at King’s College Cambridge, Weir’s music proudly takes inspiration from British medieval history and the traditional folk arts of her parents’ homeland of Scotland. Another star-studded member of this list, Weir won an Ivor Novello Award in 2015 and a year earlier was appointed the first female Master of the Queen’s Music, a position which she currently holds for ten years, succeeding Sir Peter Maxwell Davis. True to her traditional roots and interests, Weir’s music has strong roots in British choral music, yet her output also includes eight operas, many orchestral works, chamber pieces, and solo instrumental pieces. If you’re after something modern and yet deeply rooted in tradition, I highly recommend the work of Dame Judith Weir.
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Antonio Bazzini was born in 1818 in Brescia. Like the many others on this list, he was trained in music from a very young age, and was appointed the organist of his local church at 17. But he also benefitted from being a virtuosic violinist at a ripe time for violin music. He met Paganini and trained with him, being encouraged by his mentor to travel, perform, and work on his technique. He moved to Germany in his early 20s and befriended Robert Schumann and Felix Mendelssohn (Bazzini gave the first private performance of Mendelssohn’s Violin Concerto).
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.
There are some slightly more expensive pedals built by Devi Ever FX like the Soda Meiser, the self-explanatory Shoegazer (used by Ringo Deathstarr) or the Rocket fuzz. They’ve got nearly endless sustain, can sound chaotic and super duper fuzzy. But Devi pedals are also pretty unpredictable, which can be fun but sometimes you have to fight with some disturbing frequencies that show up to the party. That’s what you get with analog pedals though — it’s the true experience!
If we want to take this a step further and become experimenting with even more unusual sounds, we can build modes on the two other Minor scales: The Harmonic and Melodic Minor scales. The resulting modes would be the following:
USB microphones are the most convenient way to record a podcast. Simply connect them to the USB port on your computer and press record — no additional gear required. Yet while USB microphones offer an easy, plug-and-play solution for podcasting, they don’t provide the versatility required to pull off larger productions. For that, you’ll need an XLR microphone.